Jamila Prowse seeks to interrogate and dismantle the colonialist, racist and ableist structuring of the art sector through curation, writing, and collective organising. Her practice is engaged in collaborating with art workers, as an antithetical method to the alienation of being a BIPOC working within, alongside and adjacent to white institutional settings. Presently, her ongoing research Can We Surv[thr]ive Here? considers the potentials and limitations of institutional work for Black, non-Black People of Colour, and disabled artists and art workers, and is informed by Jamila’s own experiences of being a mixed-race curator with lifelong mental illness. As a member of the working group Hypericum: A Code of Practice, initiated by Obsidian Coast, Jamila will contribute to a collectively produced, ever-evolving code of practice for feminist, antiracist, anticolonial and environmentally sustainable arts organising.

In 2020 Jamila is the recipient of a GRAIN writing bursary, is Guest Editor of Photoworks Annual 26 and is curating and hosting an upcoming podcast series for Lighthouse. Jamila has curated exhibitions for Peckham 24 (London), 1-1 (Basel), Lighthouse (Brighton) and Brighton Photo Fringe, hosted public programmes for Fabrica Gallery (Brighton), Photofusion (London), Deptford X (London), University of Brighton and Brighton Photo Fringe and written for Frieze, Dazed, GRAIN Art Work Magazine and Photoworks.